Poster Design
Through the physical act of repeatedly drawing, erasing and redrawing typography by hand, the work explores regret as something that cannot be completely erased. Rather than hiding imperfections, the remaining traces become part of the visual language, reflecting how regret shapes memory, experience and personal growth.
2026
Poster Design
Every visit is marked by the anticipation of discovering new local dishes, while the fresh flowers and a bottle of Stauder beer remain familiar constants on every table. The typography draws inspiration from the façade of the Red Dot Design Museum in Essen, while the still-life illustrations are created through continuous charcoal line drawings of objects found on the dining table, capturing the warmth and ritual of shared meals.
2026
Installation Art, Graphic Design
As part of everyday urban life, rattan chairs once appeared by West Lake, along the canal, and in the mountains, holding memories of cool shade and quiet conversation. In an increasingly modern city, perhaps only a less ordinary rattan chair can draw people to sit down again. To pause, to slow down, and to look more closely—Hangzhou is a place worth lingering in.
Photography equipment: FUJIFILM X-E1
2026
Small Graphic, Packaging Design
For BetaUp’s newly launched climbing backpack, we designed the complete outer packaging and labeling system. The design carefully considers shelf display and visual communication opportunities throughout the product’s transportation journey. By highlighting BetaUp’s professional and functional brand identity, the packaging helps increase visibility and recognition for this emerging climbing brand.
2025
Type Design, Proposal
By combining these ornamental forms with the visual qualities of tires, we carved both Chinese and Latin letterforms within the window grids, merging traditional aesthetics with industrial character to express themes of regeneration and renewal.
2025
Logo Design, Type Design
The logo design centers around the idea of gazing. Though built from Latin letters, the strokes mimic the texture of traditional Chinese rubbings, with broken lines and subtle gaps that hint at cultural heritage. It balances structure and expression, creating a sense of movement and visual flow.
Togaze is not just a name—it’s an invitation to look closer, to feel, and to connect through storytelling and design. The brand bridges culture, perception, and creativity in a fresh and thoughtful way.
2025
VI
Targeting the North American market, the brand offers high-value furniture solutions with a clean and modern sensibility.
To support its growth and visibility, we developed a distinctive, globally oriented visual identity system (VI). This system ensures high recognizability, aligns with the aesthetic preferences of the North American audience, and supports long-term strategic goals by establishing a clear and unified brand image across all touchpoints.
2025
Small Graphics, Experimental
Since graduating from the UK in 2021, I haven’t returned to Hangzhou often. Over time, my impression of the city has faded, no longer matching its ever-evolving appearance. It feels unfamiliar in some ways. Yet, through these images, colors, and typefaces, I find a sense of resonance—echoes of the Hangzhou I once knew. These works are both a reflection of my memories and a quiet reminder of the emotional thread that still ties me to this place.
2025
VI
Located in the heart of West Hollywood, Los Angeles, SASA Coffee combines culture, quality, and compassion to create a rich and authentic coffee experience.
Art and Design Direction: Zhuohan Shao
Graphic and Motion Direction: Hayley An
Pattern Design: Zane Huangxin
2024
Typeface, Proposal
2024